| LEOPOLDO PEREZ ROBLEDO - Luthier - Harpsichord Maker | |||||||||
ARGENTINA |
Mobile: 00549 1 15 5044 5137 | ||||||||
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PRICE LIST (EXW Buenos Aires) (*) March 2011 | |||||||||
| (*) EXW: Prices of instruments delivered at our workshop in Buenos Aires. Please, contact us asking for CIP prices (instruments delivered with freight and insurance costs paid till any airport in the world). | |||||||||
| 1a- | Fretted clavichord after C. G. Hubert 1784 | ||||||||
| Compas: C - f''' | |||||||||
| Disposition: 1 x 8' | |||||||||
| Dimentions: 1.30 x 0.36 x 0.12 m | |||||||||
| Pics | Weight: 20 kg (without stand) | U$S |
5,400 | ||||||
| Pics | Weight: 24 kg (with stand) | U$S |
6,300 | ||||||
| 1b- | Unfretted clavichord after Johann Adolph Hass, 1763 | ||||||||
| Compas: FF - f''' | |||||||||
| Disposition: 1 x 8' - 1 x 4' (bass octave) | |||||||||
| Pic | Dimentions: 1.65 x 0.48 x 0.15 m | ||||||||
| Pic | Weight: 25 kg (with stand) | U$S |
8,300 | ||||||
| 2- | Italian Ottavino, c. 1600 (Victoria & Albert Museum) | ||||||||
| Pic | Compas: C/E-c''' | ||||||||
| Pic | Disposition: 1 x 4' | ||||||||
| Pic | Dimentions: 0.68 x 0.41 x 0.10 m | ||||||||
| Pic | Weight: 5 kg | U$S |
4,200 | ||||||
| 3a- | 4 1/2 voet Virginal after Ioannes Ruckers 1629 | ||||||||
| Pics | Compas: C/E - d''' (or cromatic C - d''') | ||||||||
| Disposition: 1 x 8' | |||||||||
| Dimentions: 1.30 x 0.50 x 0.20 m | |||||||||
| Weight: 30 kg (with stand) | U$S |
5,800 | |||||||
| 3b- | 6 voet Muselaar after I. Ruckers 1611 | ||||||||
| Pics | Compas: C/E - c''' (or cromatic C - c''') | ||||||||
| Disposition: 1 x 8' | |||||||||
| Dimentions: 1.80 x 0.45 x 0.20 m | |||||||||
| Weight: 30 kg (with stand) | U$S |
6,900 | |||||||
| 3c- | Virginal after Stephen Keene, 1668 | ||||||||
| Compas: FF-d''' | |||||||||
| Disposition: 1 x 8' | |||||||||
| Dimentions: 1.80 x 0.50 x 0.20 m | |||||||||
| Weight: 35 kg (with stand) | U$S |
6,400 | |||||||
| 4a- | Italian Pentagonal Virginal after Ioseph Salodiensis 1574 | ||||||||
| Compas: C/E - f''' (or cromatic C - c''') | |||||||||
| Disposition: 1 x 8' | |||||||||
| Dimentions: 1.58 x 0.37 x 0.18 m | |||||||||
| Weight: 15 kg (with detachable tourned balusters) | U$S |
5,800 | |||||||
| 4b- | English Spinet after Stephen Keene 1700 | ||||||||
| Compas: GG/BB - d''' | |||||||||
| Disposition: 1 x 8' / Optional: splited Buff | |||||||||
| Dimentions: 1.62 x 0.52 x 0.17 m | |||||||||
| Weight: 20 kg (with detachable tourned balusters) | U$S |
8,200 | |||||||
| 4c- | English Spinet / Reduced scale (Transp.) | ||||||||
| Pic | Extensión FF - f''' | ||||||||
| Disposition: 1 x 8' / Optional: splited Buff | |||||||||
| Dimentions: 1.56 x 0.65 x 0.18 m | |||||||||
| Weight: 20 kg (with detachable Luis XVI legs) | U$S |
7,500 | |||||||
| 4d- | French Spinet after Jean Goujon 1763 (Transp.) | ||||||||
| Pic | Compas: FF - f''' | ||||||||
| Disposition: 1 x 8' / Optional: splited Buff | |||||||||
| Dimentions: 1.80 x 0.65 x 0.25 m | |||||||||
| Pic | Weight: 24 kg (with detachable Luis XVI legs) | U$S |
7,900 | ||||||
| Pic | Weight: 30 kg (with Luis XV stand) | U$S |
8,700 | ||||||
| 5a- | Italian Harpsichord after Hieronymus Bononiensis, 1521 | ||||||||
| Compas: C/E - f''' (or C - d''') | |||||||||
| Disposition: 2 x 8' | |||||||||
| Dimentions: 1.92 x 0.70 x 0.19 m | |||||||||
| Weight: 20 kg (with stand) | U$S |
10,200 | |||||||
| 5b- | Italian Harpsichord after Anon. c.1575 | ||||||||
| Compas: C/E - e''' (or cromatic C - d''') | |||||||||
| Disposition: 2 x 8' | |||||||||
| Dimentions: 2.07 x 0.76 x 0.18 m | |||||||||
| Weight: 25 kg (with stand) | U$S |
10,200 | |||||||
| 5c- | Italian Harpsichord after C. Grimaldi 1697 (Transposser 415-440) | ||||||||
| Pic | Compas: GG - g''' | ||||||||
| Disposition: 2 x 8' or 1 x 8', 1 x 4' | |||||||||
| Dimentions: 2.40 x 0.88 x 0.20 m | |||||||||
| Weight: 35 kg (with stand) | U$S |
11,000 | |||||||
| 5d- | Italian Harpsichord "Museo Nacional de Arte Decorativo" (Bs. As. - Argentina) - Anon. C. 1650 (Outer case with chinoiserie) | ||||||||
| Compas: FF - c''' | |||||||||
| Disposition: 2 x 8' | |||||||||
| Dimentions: 2.47 x 0.83 x 0.19 m | |||||||||
| Weight: 35 kg (with stand) | U$S |
18,600 | |||||||
| 5e- | Cembalo after technical drawing by Henri Arnault de Zwolle, 1436 | ||||||||
| Compas: cromatic B - a'' or G/B - a'' (short octave without c# nor eb) | |||||||||
| Disposition: 1 x 8' | |||||||||
| Dimentions: 0,862 x 0,505 x 0,130 m | |||||||||
| Weight: 8 kg | U$S |
7,000 | |||||||
| Outer cases for Italian Harpsichords (with basic decoration): | |||||||||
| 6a- | Models Nº 5 a & b: | ||||||||
| Dimentions: 2.10 x 0.79 x 0.21 m | |||||||||
| Weight: 24 kg | U$S |
2,200 | |||||||
| 6b- | Models Nº 5 c & d: | ||||||||
| Pics | Dimentions: 2.43 x 0.91 x 0.23 m | ||||||||
| Weight: 26 kg | U$S |
2,800 | |||||||
| 7- | Flemish Harpsichord after Ioannes Couchet 1645/Single Manual | ||||||||
| Compas: C/E - e''' (or cromatic C - d''') | |||||||||
| Disposition: 2 x 8', 1 x 4' + Buff | |||||||||
| Dimentions: 1.82 x 0.72 x 0.25 m | |||||||||
| Weight: 60 kg (with stand) | U$S |
15,000 | |||||||
| 8a- | Flemish Harpsichord ravale after Couchet (Transp.)/Single Manual | ||||||||
| Compas: GG - g''' (ó FF - f''') | |||||||||
| Disposition: 2 x 8' + Buff , without 4' stop. | |||||||||
| Dimentions: 2.25 x 0.93 x 0.28 m | |||||||||
| Weight: 70 kg (with stand) | U$S |
13,800 | |||||||
| 8b- | Flemish Harpsichord ravale after Couchet (Transp.)/Single Manual | ||||||||
| Compas: GG - g''' (ó FF - f''') | |||||||||
| Disposition: 2 x 8', 1 x 4' + Buff | |||||||||
| Dimentions: 2.25 x 0.93 x 0.28 m | |||||||||
| Weight: 74 kg (with stand) | U$S |
15,500 | |||||||
| 8c- | Flemish Harpsichord ravale after Couchet (Transp.)/Double manual (french coupler) | ||||||||
| Pic | Compas: GG - g''' (ó FF - f''') | ||||||||
| Disposition: 2 x 8', 1 x 4' + Buff | |||||||||
| Dimentions: 2.35 x 0.95 x 0.28 m | |||||||||
| Weight: 80 kg (with stand) | U$S |
16,700 | |||||||
| 9a- | Baroque Flemish Harpsichord after J.D. Dulcken c.1750 (Transp.)/Single Manual | ||||||||
| Compas: FF - e''' | |||||||||
| Disposition: 2 x 8', 1 x 4' + Buff | |||||||||
| Dimentions: 2.45 x 0.94 x 0.28 m | |||||||||
| Weight: 84 kg (Luis XVI stand) | U$S |
16,900 | |||||||
| Weight: 87 kg (Luis XV stand) | U$S |
19,800 | |||||||
| 9b- | Baroque Flemish Harpsichord after J.D. Dulcken c.1750 (Transp.)/Double manual (dogleg or french coupler) | ||||||||
| Pic | Compas: FF - e''' | ||||||||
| Disposition: 2 x 8', 1 x 4' + Buff | |||||||||
| Dimentions: 2.57 x 0.94 x 0.28 m | |||||||||
| Weight: 90 kg (Luis XVI stand) | U$S |
19,700 | |||||||
| Weight: 93 kg (Luis XV stand) | U$S |
22,700 | |||||||
| 10- | French Baroque Harpsichord after Pascal Taskin 1769 (Transp.)/Double manual (french coupler) | ||||||||
| Compas: FF - f''' | |||||||||
| Disposition: 2 x 8', 1 x 4' + Buff | |||||||||
| Dimentions: 2.34 x 0.94 x 0.30 m | |||||||||
| Pic | Weight: 90 kg (Luis XVI stand) | U$S |
20,300 | ||||||
| Pic | Weight: 93 kg (Luis XV stand) | U$S |
23,300 | ||||||
| 11- | French Baroque Harpsichord after Henri Hemsch 1736 (Transp.)/Double manual (french coupler) | ||||||||
| Compas: FF - e''' | |||||||||
| Disposition: 2 x 8', 1 x 4' + Buff | |||||||||
| Dimentions: 2.38 x 0.89 x 0.28 m | |||||||||
| Weight: 90 kg (Luis XVI stand) | U$S |
20,300 | |||||||
| Weight: 93 kg (Luis XV stand) | U$S |
23,300 | |||||||
| 12- | Flemish Harpsichord after Ioannes Ruckers 1612 "a grand ravalement" (anon. S XVIII) | ||||||||
| (Transp.)/Double manual (french coupler) | |||||||||
| Compas: FF - f''' | |||||||||
| Disposition: 2 x 8', 1 x 4' + Buff | |||||||||
| Dimentions: 2.50 x 0.95 x 0.27 m | |||||||||
| Pics | Weight: 100 kg (with flemish simple stand) | U$S |
19,800 | ||||||
| Pics | Weight: 110 kg (with double frame flemish stand) | U$S |
23,300 | ||||||
| 13a | Fortepiano after A. Stein c.1775 | ||||||||
| Compas: FF - f''' | |||||||||
| Dimentions: 2.13 x 0.97 x 0.25 m | |||||||||
| Weight: 80 kg (with tourned detachable legs) | U$S |
21,400 | |||||||
| 13b | Fortepiano after A. Walter 1795 | ||||||||
| Compas: FF - g''' | |||||||||
| Dimentions: 2.20 x 1.02 x 0.27 m | |||||||||
| Weight: 90 kg (with tourned detachable legs) | U$S |
22,700 | |||||||
|
ENRIQUE GODOY & LEOPOLDO PEREZ ROBLEDO ORGANS | |||||||||
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March / 2011 | |||||||||
| 1A- | Portative Organeto S. XIV | ||||||||
| Compas: 2 octaves ( f - f'' or c - c'' ) Early keys | |||||||||
| Disposition: one stop open 2' (metal) or 4' (wood) | U$S |
3,000 | |||||||
| 1b- | Portative Organ S. XV | ||||||||
| Compas: 2 1/2 octaves ( short octave c/e - f'' ) Standard keyboard | |||||||||
| Disposition: one stop open 2' (metal) or 4' (wood) | U$S |
3,600 | |||||||
| 2- | Regal after M. Klotz, Alemania c. 1600 (manual elbows) | ||||||||
| Compas: c/e - a'' | |||||||||
| Disposition: one reed stop | U$S |
7,000 | |||||||
| 3a- | Small positive Organ for continuo (Transp. 415 - 440)
(Mensures after Nässer, 1734) (Laukhuff blower) | ||||||||
| Compas: C - C''' | |||||||||
| Disposition: one stop 8' | U$S |
15,100 | |||||||
| 3b- | Disposition: two stops (8' + 4') | U$S |
17,800 | ||||||
| 3c- | Disposition: three stops (8' + 4' + 2') | U$S |
20,400 | ||||||
| 3d-Pics | Disposition: 3 stops (8', 4' y 2') (with pedal keyboard C - c') | U$S |
23,000 | ||||||
| 4- | Prozessionsorgel anon., Susques, Jujuy, Argentina S. XVII
(Manual elbows) |
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| Compas: C/E - c''' | |||||||||
| Disposition: 2 stops (2' + 1') | U$S |
13,800 | |||||||
| 5- | Positive organ anon., Tinta, Cuzco S. XVII (manual elbows) | ||||||||
| Compas: C/E - c''' | |||||||||
| Disposition: 2 stops (2' + 1') | U$S |
15,100 | |||||||
| 6- | Prozessionsorgel after G. Nässer, 1734 | ||||||||
| Germanisches National Museum, Nürenberg. (Manual elbows) | |||||||||
| Compas: C - c''' | |||||||||
| Disposition: 5 1/2 stops (8', 8' [c'-c'''], 4', 2', 2/3' & 1/2') | U$S |
25,300 | |||||||
| 7a- | Latinoamerican Colonial Baroque Positive Organ (Pedal elbows) | ||||||||
| Compas: C - c''' | |||||||||
| Disposition: 5 stops (4', 2', 1 1/3, 1') & regal 8' | U$S |
30,000 | |||||||
| 7b- | Disposition: 6 stops (8', 4', 2', 1 1/3, 1') & regal 8' | U$S |
33,000 | ||||||
| 8a- | Positive Organ after Adam E. Reichard, Nürenberg 1727, simple case (Laukhuff blower) | ||||||||
| Compas: C - c''' | |||||||||
| Disposition: 3 stops (8', 4' y 2') (without pedal keyboard) | U$S |
25,300 | |||||||
| Disposition: 3 stops (8', 4' y 2') (with pedal keyboard C-c') | U$S |
27,600 | |||||||
| 9- | Positive Organ after Adam E. Reichard, Nürenberg 1727
(original case) (Manual elbows or Laukhuff blower) | ||||||||
| Pic | Compas: C - c''' | ||||||||
| Disposition: 3 stops (8', 4' y 2') (without pedal keyboard) | U$S |
28,200 | |||||||
| Disposition: 3 stops (8', 4' y 2') (with pedal keyboard C - c') | U$S |
30,600 | |||||||
MATIAS CROM & LEOPOLDO PEREZ ROBLEDO Early and traditional stringed and bowed musical instruments | |||||||||
March / 2011 |
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| Pics | Baryton,
según Daniel Achatius Stadlmann, Viena 1715 (original in Musikinstrumentenmuseum in Leipzig) Seven bowed strings: AA - D - G - c - e - a - d' Nine simpatethic strings or back plucked with the left thumb: A - d - e - f# - g - a - b - c#' - d' |
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| Weigh: 5 kg | U$S | 5,400 |
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